Review: The good, the bad and the Tuesday of the 2023 Globes

Tuesday night doesn’t really scream “glamorous awards show.” We’ve been trained to expect those on Sundays, when you can spend a lazy evening half-watching E! reporters vamp in formal wear…

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Review: ‘Strange World’ explores big themes in bold colors

Disney’s “Strange World” tackles big themes in bold, beautiful colors

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AP fires reporter, reviews sourcing rules after Poland error

The Associated Press has fired a reporter and is reviewing its standards on the use of anonymous sourcing following a damaging error last week in a story about a fatal missile strike that killed two people in Poland

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Review: Back to DeLillo’s doomed future in ‘White Noise’

Noah Baumbach’s “White Noise” is faithfully, even reverently, tuned to the buzzing dread and strange surrealism of DeLillo’s postmodern masterwork

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Review: Wrenching and riveting, ‘The Son’ leaves you shaken

If you don’t have children, you will likely walk out of “The Son” shaken and deeply moved

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Review: A crowdpleasing whodunnit in Netflix’s ‘Glass Onion’

Rian Johnson brings back Daniel Craig’s southern detective Benoit Blanc to solve a new murder in “Glass Onion: A Knives Out Mystery,” which opens in theaters this week for one week before hitting Netflix on Dec. 23

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Review: ‘Devotion’ is a quiet tale of allyship amid heroics

“Devotion is the story of Ensign Jesse Brown, the first African American to complete Navy flight training

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Review: Tom Petty doesn’t back down in 1997 Fillmore shows

Listening to “Live at the Fillmore (1997)” it’s easy to see why Tom Petty said at the time he thought it was a career highpoint

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Review: ‘She Said’ chronicles the scoop that fed a movement

“She Said,” a worthy entry to a journalism film genre that includes “Spotlight” and “All the President’s Men,” isn’t just about the power of journalism

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Review: Fine young cannibals in the tender ‘Bones and All’

Zombies had a good run

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